A post from a PIRGer

July 20, 2007 at 2:54 pm | In PIRG | No Comments

At some point during my first foray into the world of student activism, I encountered a fundamental question: is it better to engage a community exclusively in the organic way, harnessing the ideas and talents of unique individuals to fit the needs of a particular environment, or is it better to utilize the existing structure of an established organization to catalyze a localized movement? In other words, is it better to start from scratch, or tap into other resources? Living in Portland, Maine, where there are all sorts of progressive organizations, many of them established here and anchored in Maine-specific politics, I knew that whatever deficiency I saw at the University of Southern Maine was due, somewhat, to my own personal isolation. I had been, for a long time, an average student with little motivation to engage in anything besides my own education and my own job. I was living in a nebulous space between thinking and doing, catching a glimpse of global issues through the confines of social circles and classrooms, talking all about Peak Oil and Human Rights and Capitalism, but doing nothing. I was immersed but not engaged.

But then, that seemed to be the general climate at USM. Students arrived on campus minutes before their first class with barely enough time to buy a cup of coffee, much less talk to a fellow student about the Fair Trade Federation in the hallway for a few minutes. People rushed in and out of the computer lab and the library and the classroom, frantically writing papers and reading articles and taking lecture notes, thinking all day long about electoral politics, feminist theory, higher education reform, and that buzz word – sustainability – but it was a rare to see students taking these topics out of the classroom and into the hallway, the cafeteria, and the street. Our insular Student Senate concerned itself with more inconsequential and shortsighted issues, and much of the limited momentum behind student involvement was stifled by bureaucratic process or funding issues.
While I was, perhaps, searching in the wrong places for my inspiration, it seemed intrinsic to our experience as students that we would be on the front line of our local and global political movements, not tucked away in our cars, moving hastily around the periphery, before and after class. It seemed ironic that we were supposed to be learning how to become responsible world citizens, but what we were doing reflected passivity and over-consumption. If we really were living up to the mission statements of the universities, why weren’t the progressive organizations of Maine rooted in its student bodies across the state?

Maine is, of course, one of those places that prides itself in its selfhood. We love the tourists and we hate them. Their money fuels our economy but then they start to buy houses here, and property taxes skyrocket. We sneer at the out-of-staters, but we know we need them. And I think I experienced the same attitudes when I began the project to bring PIRG (Public Interest Research Group) to USM. It’s a big organization, with more than 100 chapters across the country, started by students, run by students, and made powerful by advocates who work on the students’ behalf. Essentially, it’s one of the more significant forces behind student campaign work in this country. It’s not Maine-grown; the people who run the thing live in D.C. and Boston and are definitely steeped in the generic rhetoric of mainstream activism. They are “from away,” and they do things in that formulaic-yet-effective way that seems so insensitive to our Maine sensibilities.

And yet I knew that this was the right thing. While I am more inclined to support truly grassroots measures – like, say, form a group of students from several of my classes and organize an Earth Day event to educate the student body about global warming – this method had already proven ineffective at USM. The fact was, the students were not organizing themselves, and every time they did, someone crucial was graduating, or it was exam week, or no one could attend a rally because they were broke, or any other of the myriad obstacles to effective organization were in the way. The fact was, USM needed the help of a bigger organization to jump-start its sluggish student body.

While I still have my reservations about PIRG, I do know that once we got underway and began to grow the organization, something incredible happened to my experience as a “responsible world citizen” – that is, I actually started to have that experience. With the PIRG model, we were able to recruit more students than any other group at USM, and work on issues that affected everyone. We were able to transform the campus into a place of democracy, a place to fulfill the USM mission statement. And it wasn’t because PIRG is essentially the answer; it was because we weren’t afraid to cast off our Maine-centered idealism in favor of something as arrogant, overbearing, and powerful as PIRG, and make it our own. When we passed Opportunity Maine, making college affordable for Maine residents, when we registered over 500 new voters, and when we co-sponsored a Bike Swap to encourage decreased fossil fuel use in Portland (just to name a few), we were finding that connection between thinking and doing that had been concealed behind classroom doors, lost on our way to work, and generally left up to other Mainers to pursue. With the help of big, bad, PIRG, we harnessed our energy and owned up to all that talk.

And now USM has the momentum to keep going. Though I have graduated and left the future of Maine PIRG in other hands, I am confident that our efforts will prove to be fruitful – even if that means breaking away from PIRG in the future. We have incited USM to begin to realize its potential; by tapping into the resources of something less organic than we’d like, and by sacrificing our ideals for the bigger picture, we have been more successful than we would have been otherwise.

Now we just have to remember where we started.

Marie Stolzenburg is the outgoing President of Maine PIRG.

John Pendergrast, Vincent Gallo, and Michael Showalter: Same person?

July 13, 2007 at 10:37 pm | In Uncategorized | No Comments

Check out this sketch of human rights activist John Prendergast from this Internationalist Magazine interview:

John Pendergrast

Does he happen to be the love-child of independent film director Vincent Gallo:

And The State, Stella, and Wet Hot American Summer funny-man Michael Showalter?

You be the judge…

-Alex

Teaching Chess in Guatemala

July 10, 2007 at 9:21 pm | In Uncategorized | No Comments

On my first day of classes, I was put in a room full of staring ninth graders. Even after reading books preparing me to teach, taking Spanish lessons and lugging a purple suitcase full of chess supplies all the way to Quetzaltenango, it was a terrifying moment to begin teaching a class in a foreign language. I had prepared to teach 5th graders, and we were supposed to make paper crowns on the first day of class; but this strategy would not work for the older kids, who had already matured to the age where girls no longer had “cooties”. How could I win the attention of my students? Within an hour, how could I leave behind my identity as a tourist and a stranger to achieve the title of professor?

I started with names and the students introduced themselves: Diana, Michelle, Rosio, Adele, Norma, Luciana, Winston, Raul, Melvin, Wilder, Francisco, and José Luis. As they said their names I focused all my energy on remembering them; and after everyone had taken the opportunity to introduce themselves, I went through all of the names. In my head they were Princess Diana, Michelle “My Belle” (like the Beatles song), A Rosio is a Rosio is a Rose, Adelante, Norma Norma Bo Borma (banna fanna…), Luciana Light (luz is light in Spanish), Winston Churchill, Raul Casablanca (a famous chess player), Herman Melville, Van Wilder, Francisco Borrero (the name of my high-school Spanish teacher), and José Mona Luis(a). In that way, I was able to recount the names of each student in a single try; and with each student I called, their eyes lit up. Since I had remembered all of their names, it showed that I cared about teaching them and that I didn’t want to be a stranger or simply their professor, but also a friend.

This bit of advice is not a “tactic” toward cultural assimilation, but simply human kindness. Through my teaching here at the Colegio, I am learning how to deal with cultural differences by using language people understand. When I first started teaching, the language barrier and Guatemalan lifestyle was something to become accustomed to, naturally. But in all honesty, I have found more similarities than difference, and most difficulties labeled as cultural difficulties have simply been differences between individuals, not cultural at all.

Here are some tips if you are working in Guatemala as a Chess teacher:

1.) Don’t come dressed for a safari with a camera around your neck; I have seen volunteers with binoculars around their necks and they don’t make friends easily.

2.) Play soccer, everyone is doing it. Or if you can’t play soccer, watch soccer with the kids who aren’t on the field. Whatever you do, stay active. Whether it is offering to help you host mom cook, listening to your student’s Walkman blast music you don’t understand, or kicking a ball at recess. This bit of advice has already been given in phrases like, “When in Rome…” and cheesy lyrics like, “Walk like an Egyptian.” In a way, you have to change yourself; you have to learn a different lifestyle, before you can teach your students.

3.) Use global language: hugging your host mom, giving your teammate a high-five, laughing, dancing, smiling back at people who are smiling at you, helping someone onto a bus or across a street. These are actions that supersede words and have been very useful.

Jory Pomeranz is a sophomore at Northwestern. For the summer, he is teaching chess at the Colegio Miguel Angel Asturias.

Journals, race, and other things.

July 10, 2007 at 1:51 pm | In Uncategorized | No Comments

I recently had an interesting conversation with an Americorps member who works with a racially diverse group of kids in the city of Portland, Maine. We talked about encounters she had with the kids she works with regarding racism. She explained that she found herself in a particular situation in which she felt as though a particular student was making racially charged statements (the community in which she worked was racially diverse—she works specifically with East African and East Asian students). She froze, not understanding what to do in the moment, and she didn’t initiate the conversation about race and acceptance she felt would have been possible had she been more prepared.

We had discussed various situations in which race has come up in learning situations but has gone discarded because facilitators were either nervous or unprepared. One situation that I recalled had taken place in a seminar that I had in which a few “edgy” conversations had come to the fore—ones regarding racial and sexual identity and relationships. Seminars typically have over 100 students in them and as a result, the professor of the class cut the conversation short, though he praised the class for wanting to go so deep. He didn’t have the training to deal with this sort of mediation, he explained, and in case things were to get out of hand, or tensions were to get enflamed, he feared he wouldn’t be able to cool things off.

The volunteer explained that she was in a situation in which she felt as though she had some control, and that this is the benefit of working with small groups of kids on a daily basis. Because she was regularly in contact with these kids, she felt as though she would have been able to maintain a positive conversation in which the kids would have been able to come out better versed about racial tensions and differences. In retrospect, though, she wondered whether or not bringing these issues to the table would be touchy because of her own racial identity. She wondered, would they think that I think that I know what’s better for them? That I am trying to set their “bad” feelings straight because I feel as though I have all of the answers?”

Out of the conversation, we came to some conclusions. Firstly, and most obviously, conversations about racism are difficult to approach. Secondly, there are various directions to take a race-based conversation depending on training and experience with the group. Finally, a volunteer put in a situation like this one should be reflective upon their experience so that they can be ready for other similar encounters in the future.

This experience is indicative of the importance of using a journal when it comes to dealing with these encounters. Here, as has been touched upon in thousands of service learning and volunteer-directed resources, honesty is most important, and it should be a place where the student/participant should feel free to meditate upon their experience. The volunteer should keep a journal of these sorts of reflections, pictures, observations, etc. In order to better prepare them for future experiences, reflection and a well-organized catalogue of past experience is crucial. While this may seem self-explanatory, I have too often seen volunteers skip this important step.

Corporations: Partners or Check-Writers?

July 7, 2007 at 7:20 pm | In Uncategorized | No Comments

The role of businesses has become a hot-topic in global development in the past half-decade. Before, businesses were seen as “check-writers”: they have a social obligation to “give back” to a world that they often exploit for corporate profits. By writing the checks to non-governmental organizations doing good, businesses could become solid corporate citizens. This traditional perception is changing, albeit slowly. Recently, I participated in an international global health conference organized by the Global Health Council in which “partnerships” was the main theme. Business leaders, throughout the four days, were seen as a potential partner in global health and development — this culiminated in an interesting panel discussions with several leaders from the business world. I invite all of you to watch the webcast.

The main tension that was still manifest during this conversation–in which many NGO leaders were in the audience–was the view that most businesses don’t feel that the NGO community looks to them as partners but rather as “check-writers”. Businesses feel that they can bring more to the table than money. Technical advise and expertise in management, accountability, finances, and scaling up models are key parts of running a business and corporate donors are increasingly looking to share this knowledge and even human resources to strengthen relationships with NGOs. Not only do these organizations have a lot to gain from this broadened partnership, but businesses now see strategic philanthropy as integral to their own models for growth (increased worker productivity, improved business image, and development of new markets in poor countries are all new opportunities). But this rubs many activists the wrong way and prevents strong partnerships from developing. Can corporate profits go along with partnerships with NGOs? Can an affirmative vision of corporate involvement in development bring more resources to bear for global development? These issues must be addressed by the non-governmental and activist community; an article in the Harvard Business Review highlights a particular opinion and can help further frame the discussion.

Victor Roy is a 2007 graduate from Northwestern University with a B.A. in Political Science. He is currently President of a student-led non-profit, GlobeMed which inspires and trains university students to support health organizations in developing countries.

ABCD in Action

July 5, 2007 at 9:31 pm | In Uncategorized | No Comments

As a social policy major in the School of Education and Social Policy at Northwestern, I hear it over and over again…Asset-Based Community Development. The term has become engrained in my mind for the last few years, and this summer has really been an opportunity for me to understand how the philosophy transforms itself in different contexts and what it really means in practice.

I am spending my summer in Quetzaltenango, Guatemala (colloquially known as Xela), at a non-profit K-12 school called Colegio Miguel Angel Asturias. (You can find the website at http://www.colegiomaa.org/ , but keep your eyes out for an amazing new website to be up soon.) The school has a social justice mission of integrating the different populations of Guatemala - in particular, the Mayan and the Ladino (which flexibly means mixed-origin, of Spanish descent, or the social middle class that is generally in a position of power compared to the indigenous Mayan population) groups. The Colegio was founded at the end of the 36 year civil war by a man named Jorge Chojolan (the current director), an Ashoka fellow who was inspired by the events of his own childhood and his own experiences with the Guatemalan educational system. The school is linked to the greater socio-political contexts of Guatemala and maintains a human rights curriculum that focuses on a new topic every month.

This summer, the Colegio is in its first year of having a program of volunteers in positions such as teaching chess, teaching English, teaching community theater, working on the scholarship program, and website design. My role upon arriving was to help with the creation of a service learning or community service program for the students themselves, a way to link the students to the greater community of Quetzaltenango. A school that focuses on the students and on creating a deeply rooted sense of community, the community service program is in line with the school´s mission of giving the students a broad understanding of the community issues that surround them.

I´ve encountered a few obstacles in my work thus far – the first is the concept of trying to apply ABCD into the work. Since this is the first year that the Colegio has worked with so many volunteers, our positions and roles here are in flux and are consistently being re-evaluated and reconsidered as everyone tries to fit the volunteers into the existing context of the Colegio. Jorge, the director, has expressed concerns and a few frustrations with our group of volunteers, particularly because he wants to make sure that the impetus of the work –along with the goals, the participation, and the focus – are all based on the localized experience of the students, the staff, and the greater community of the Colegio. In that sense, the work is supposed to come from within the Colegio itself. Jorge was concerned that the volunteers would work in isolation, without consideration of students and without a broader understanding of Quetzaltenango and of Guatemala. After our first week here, Jorge read a story to the volunteers about a man who was traveling and witnessed a boy who couldn´t walk. The man tried to make crutches for the boy, but since he wasn´t from the town, he didn´t know that the wood from the tree he used to make the crutches wasn´t strong enough to support the boy – and thus broke. The father of the boy then chose the correct wood and made crutches that could support his son. An obvious metaphor – respect the knowledge and the skills of the local community.

What´s been difficult for me is finding that balance between finding those assets, using them, respecting the philosophy and structure of the school, and getting approval from the staff and from Jorge – without this limiting my own initiative, creativity, and ideas. I´m working in an area that seems really paradoxical – transforming the idea of “volunteerism” – a Western ideal that many people here understand as an outsider phenomenon, of receiving services that others (mostly Europeans and Americans) provide – into one that is localized, a concept that means using the capacities and the knowledge of the youth who actually live here to become the catalysts of change in their own communities. It kind of feels like a really ironic position, as I´m here to do the very thing that should be done by those already here.

Although I have been here for about two weeks, the next six weeks of my time will be a continuously evolving process of understanding my role here and understanding how ABCD plays into my work. In making sure I´m respecting the well informed decisions and well thought out structures that are in place here, I´ve found that the best thing I can do is listen and observe. Although my role here is program development, for now, my goal is to develop a holistic understanding of this community. Although I´ve done a lot of work and research thus far and have written some initial plans for some service programs, I´m not quite sure when the program development part will become institutionalized or will really materialize. But I´m OK with that.

Lisa Wang will be a senior at Northwestern University. She is double majoring in Social Policy and Political Science.

Planning a Health Center in Ghana:

July 3, 2007 at 9:39 pm | In Uncategorized | No Comments

As president of a student-led non-profit, GlobeMed, I’ve been actively involved in developing a health center in Ghana by working with a local NGO leader from Ghana, Joseph Achana. Recently, Achana, a Rotary member, came to the US for the Rotary International Convention. He also visited with GlobeMed leaders such as myself to discuss the development of the health center and the vision going forward. The Center is up and running in the Volta Region, serving 6300 villagers in the Volta Region with basic health services and health education.During a meeting to discuss potential expansion, we invited several members of the Ghanaian community living in the US as businessmen (Ghana-USA Chamber of Commerce). Achana discussed small projects requiring little funding—in the range of 3-10K–that will increase local capacity. For example, he discussed the possibility of about 5K to get a pharmacy started that would generate local revenue to sustain operations. The “American” Ghanaians, while not in a mean way, mocked the small figures, saying that such projects should demand 100K+ in donor funding. They even seemed excited to gather such large scale funding to help “their country”. While it seemed to be on the surface a positive conversation, it was clear that Achana felt backed into a corner. His vision is for strategic, planned development, instead of an immediate flow of resources that may reinforce dependency on donor funds. The identities and relations between Ghanaians–those living here in the US and a community organizer from Ghana–were interesting to observe. While they were all “Ghanaians”, they clearly had different ideas of “development”. I hope to use this example for future discussions on cultural identity in global development and issues of “local sustainabilty” in the realm of building health infrastructure.

Victor Roy is a 2007 graduate from Northwestern University with a B.A. in Political Science. He is currently President of a student-led non-profit, GlobeMed which inspires and trains university students to support health organizations in developing countries.

CGE Summer Jams, Volume One

July 3, 2007 at 9:37 pm | In Blake Walker, USA | No Comments

HERE is the first installment of a weekly music feature for the CGE blog. We’ll be compiling a ten-song playlist every week chock-full of awesome summertime (or anytime, really) music from all over the world. This feature will become a mini-laboratory in global engagement through music.

In a column he wrote in 1999 titled “I Hate World Music,” Talking Heads frontman David Byrne said:

This interest in music not like that made in our own little villages (Dumbarton, Scotland, and Arbutus, Md., in my own case) is not, as it’s often claimed, cultural tourism, because once you’ve let something in, let it grab hold of you, you’re forever changed. Of course, you can also listen and remain completely unaffected and unmoved — like a tourist. Your loss. The fact is, after listening to some of this music for a while, it probably won’t seem exotic any more, even if you still don’t understand all the words. Thinking of things as exotic is only cool when it’s your sister, your co-worker or wife; it’s sometimes beneficial to exoticize that which has become overly familiar. But in other circumstances, viewing people and cultures as exotic is a distancing mechanism that too often allows for exploitation and racism.

Maybe it’s naive, but I would love to believe that once you grow to love some aspect of a culture — its music, for instance — you can never again think of the people of that culture as less than yourself. I would like to believe that if I am deeply moved by a song originating from some place other than my own hometown, then I have in some way shared an experience with the people of that culture. I have been pleasantly contaminated. I can identify in some small way with it and its people. Not that I will ever experience music exactly the same way as those who make it. I am not Hank Williams, or even Hank Jr., but I can still love his music and be moved by it. Doesn’t mean I have to live like him. Or take as many drugs as he did, or, for that matter, as much as the great flamenco singer Cameron de la Isla did.

That’s what art does; it communicates the vibe, the feeling, the attitude toward our lives, in a way that is personal and universal at the same time. And we don’t have to go through all the personal torment that the artist went through to get it. I would like to think that if you love a piece of music, how can you help but love, or at least respect, the producers of it? On the other hand, I know plenty of racists who love “soul” music, rap and rhthym-and-blues, so dream on, Dave.

So throw on these tunes and get the hell out of your village, at least for three and a half minutes.

Here’s a few comments on each track:

Track 1: “Sirens” — Dizzee Rascal (UK)

This might be the song of the summer so far–awesome drums, pseudo-Korn guitar riffs, and Dizzee’s off-kilter East London flow. Oddly, Dizzee didn’t release his new album, “Maths + English” in the US, so I think the record is going to pass under the radar here, which is a shame because it is probably the best, most accessible release from the grime pioneer yet. BLUUH!

Track 2: “Sebastiana” — Gal Costa (Brazil)

This song is a must for the first volume of a summer-music blog feature. Gal Costa was one of the titans of the Tropicalia artistic movement in the Bahia region of Brazil in the late sixties. Her breezy vocals and nonsense lyrics (the chorus is just a list of vowel sounds in Portuguese, I think) fit the angular acoustic guitar and tight-as-shit drums perfectly.

Track 3: “King Tubby Meets Rockers Uptown” — Augustus Pablo (Jamaica)

This 1976 collaboration between Pablo and dub co-inventor King Tubby is one of the most emblematic examples of the hugely influential genre of dub. The druggy echoes and fading effects make for a fascinatingly disorienting listen. Put this track on after you buy cheap opium in a back alley in Morocco. Or just play it in your car.

Track 4: “Hey Jude” — Super Eagles (Gambia)

This band was an awesome discovery for me this year, and this sweet little Beatles cover is a great introduction to their laid-back sound. Check out the terrific compilation “Senegambian Sensation” on RetroAfric Records for more Super Eagles–highly recommended.

Track 5: “Mushroom” — Can (Germany)

I really think that the genre called “krautrock” should get renamed. “Krautrock” sounds like new-wave polka or something you could only listen to while eating bratwurst and drinking heavy lager–basically, it sounds like bad breath. Once you hear a band like Can, however, you realize that krautrock actually means some of the tautest, funkiest, most psychedelic music on the planet. Throw a kielbasa on the grill and groove to this tasty jam.

Track 6: “Gizie Biyasayegnem-Nanu Nanu Neh” — Misrak Mammo & Tchista Band (Ethiopia)

This song is on the second volume of the incredible “Ethiopiques” CD series from a French label called Buda Musique. This track comes from a band of “azmari” troubadours in Addis Ababa who improvise narrative lyrics over repetitive instrumental accompaniment. I have probably listened to this song at least 5 times a week for two years, and I still can’t get over it. Listen for yourself, I don’t even know what to write about this song.

Track 7: “Crosseyed and Painless” — Talking Heads (USA)

In honor of David Byrne, who provided the introductory paragraphs above. Byrne now owns a really great record company called Luaka Bop which has released a few can’t-miss albums (all three records in the “World Psychedelic Classics” series are awesome, featuring Os Mutantes (vol. 1), Shuggie Otis (vol. 2), and West African funk (vol. 3) respectively). Plus, this song is almighty.

Track 8: “44″ — BMG 44 (Senegal)

This is a standout track from a compilation released in conjunction with the Democracy in Dakar Project and Nomadic Wax Records. Democracy in Dakar has put together some incredible music and film projects focusing on the roles of hip-hop artists in shaping democracy in Senegal. Check out their series on the 2007 presidential elections here. Hip-hop is blowing up all over West Africa, especially in Dakar, and I would recommend this record for a peek into the “underground.”

Track 9: “Three Changes” — The Good, the Bad, and the Queen (UK, Nigeria)

This is an awesome song from the new project between Damon Albarn (Blur, Gorillaz), Paul Simonon (The Clash), Simon Tong (The Verve), and percussion demi-god Tony Allen, who played with Fela Kuti and is arguably as influential as Fela in constructing the sound of Afrobeat. I would give the left side of my body to know how the hell Allen thought of the beat for this song.

Track 10: “Lambaya Puf De” — Baris Manço (Turkey)

This is, quite simply, the strangest song of all time, and probably one of the best. The most inexplicable thing is that almost all of Baris Manço’s other music that I have managed to find is hilariously bad Yanni-esque easy-listening. He was part of the “Anatolian Rock” movement in Turkey, which fused progressive rock funk with more traditional Turkish music. There isn’t enough space on this blog for me to write everything that this song makes me feel. I can’t describe it–it is absurd, hilarious, explosively funky, beautiful, and hundreds of other things all at once.

Enjoy the music and the kielbasa,

Blake Walker

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